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Commemorating the Anniversaries of Milarepa and Marpa on Chӧtrul Duchen

Commemorating the Anniversaries of Milarepa and Marpa on Chӧtrul Duchen

Tergar Monastery Shrine Hall Veranda,
24 February 2024

༄༅། ། བོད་རབ་རྒྱན་ཤིང་འབྲུག་བོད་ཟླ་ ༡ ཚེས་ ༡༤ཉིན། གངས་ཅན་གྲུབ་པའི་གཙུག་རྒྱན་རྣལ་འབྱོར་ཡོངས་ཀྱི་དབང་ཕྱུག་ཆེན་པོ་རྗེ་བཙུན་མི་ལ་རས་པ་མཆོག་ལོངས་སྤྱོད་རྫོགས་སྐུར་བཞེངས་པའི་ཉིན་མོ་དང་། ཚེས་ ༡༥ ཉིན་སྐྱེས་མཆོག་སྒྲ་བསྒྱུར་གྱི་རྒྱལ་པོ་མངའ་བདག་མར་པ་ལོ་ཙཱ་བ་ཆོས་ཀྱི་བློ་གྲོས་མཆོག་ལོངས་སྤྱོད་རྫོགས་སྐུར་བཞེངས་པའི་ཉིན་མོ་སྟེ། འཕགས་ཡུལ་གནས་མཆོག་རྡོ་རྗེ་གདན། གཏེར་སྒར་རིག་འཛིན་མཁའ་སྤྱོད་དར་རྒྱས་གླིང་གཙུག་ལག་ཁང་གི་མདུན་དུ། འཕགས་མ་བདེ་བྱེད་མའི་དཔྱིད་ཆོས་ཐེངས་བརྒྱད་པའི་འདུས་མང་ནས་མངའ་བདག་མར་པ་ལོ་ཙཱ་བ་དང་རྣལ་འབྱོར་གྱི་དབང་ཕྱུག་མི་ལ་རས་པའི་སྐུ་
བརྙན་དྲུང་དུ་མཆོད་པ་དང་མར་མེ་ཚར་དུ་དངར་བ་འབུལ་བཤམས་དང་འབྲེལ། ཕྱི་དྲོ་ཕྱག་ཚོད་བདུན་པའི་ཐོག་ཏུ།
དུས་གསུམ་རྒྱལ་ཀུན་ཕྲིན་ལས་ཀྱི་རང་གཟུགས། དཔལ་༧རྒྱལ་བའི་དབང་པོ་༧ཀརྨ་པ་སྐུ་ཕྲེང་བཅུ་བདུན་པ་ཆེན་པོ་མཆོག་གི་ཞལ་སྔ་ནས་ཀྱིས་དྲྭ་བརྙན་ཐད་གཏོང་དུ་དབུ་བཞུགས་མཛད་དེ། འཕགས་པ་བདེ་བྱེད་མའི་དཔྱིད་ཆོས་ཐེངས་བརྒྱད་པའི་འདུས་ཚོགས་ཀྱི་དབུ་བཞུགས་སྐྱབས་རྗེ་སྒྲུབ་དཔོན་བདེ་ཆེན་རིན་པོ་ཆེ་མཆོག་གཙོ་བོར་གྱུར་པའི་བཙུན་དགོན་བཤད་གྲྭ་ཁག་གི་མཁན་པོ་སློབ་དཔོན་རྣམ་པ་དང་བཙུན་མའི་འདུས་དམངས་དང་། གཉུག་མར་གནས་པའི་གཏེར་སྒར་འདུས་པ་དང་། བདེ་བྱེད་མའི་གོ་སྒྲིག་པ་མཚུར་ཕུ་བླ་བྲང་གི་ལས་སྣེ་རྣམ་པ་དང་། གཞན་ཡང་བཀའ་བརྒྱུད་སྨོན་ལམ་གྱི་ལས་སྣེ་དང་། གློ་བུར་ལྷགས་པའི་དད་འདུས་བརྒྱ་ཕྲག་དུ་མ་ནས་མི་ལའི་བླ་སྒྲུབ་ཀྱི་འདས་མཆོད་ཀྱི་ཚོགས་འཁོར་་གཟབ་རྒྱས་བསྐོར་ཏོ། །


23rd February 2024 was the anniversary of Jetsun Milarepa’s parinirvana and the following day –24th February–was the anniversary of Marpa his teacher’s parinirvana.

To commemorate these two occasions, the 17th Gyalwang Karmapa composed two new praises, the first for Jetsun Milarepa which he released on 23rd February, and the second for Marpa Lotsawa, which was released on 24th February. Then, in the evening of  24th February, the nuns, their khenpos and teachers at the Arya Kshema Spring Gathering in Bodhgaya joined together  with  staff from Tsurphu Labrang, the sponsors of the Arya Kshema, staff from Kagyu Monlam, and monks from Tergar to offer the Milarepa Guru Yoga.  

The 24th of February was highly auspicious because it was Chӧtrul Duchen, the Festival of Miracles, which falls on the Full Moon day of the Month of Miracles, the first month in the Tibetan lunar calendar. Traditionally, the first fifteen days of the Tibetan year celebrate the fifteen days during which the Buddha displayed miracles for his disciples to increase their devotion, and this celebration culminates on the fifteenth day. It is one of the four great festivals of Tibetan Buddhism.

Although the ritual used was a Milarepa Guru Yoga, thangkas of both Marpa and Milarepa were displayed above the shrine in order to focus the commemoration on both. The ritual was held outside to capture the full beauty and magical atmosphere of the occasion. Myriad strings of lights hanging from the walls of the monastery alongside hundreds of butter lamps placed on the steps of the shrine hall lit up the night.

On site, Drupon Dechen Rinpoche led the ritual, but the Gyalwang Karmapa presided over the internet, and the event was webcast worldwide.

2024.02.24 Commemorating the Anniversaries of Milarepa and Marpa on Chӧtrul Duchen
Debate Competition Enters Elimination Stage

Debate Competition Enters Elimination Stage

Tergar Shrine Hall

23, 24, 25 February 2024

༄༅། ། བོད་རབ་རྒྱན་ཤིང་འབྲུག་བོད་ཟླ་ ༡ ཚེས་ ༡༥ དང་། སྤྱི་ལོ་༢༠༢༤ཟླ་ ༢ ཚེས་ ༢༤ ཉིན། གནས་མཆོག་རྡོ་རྗེ་གདན། གཏེར་སྒར་རིག་འཛིན་མཁའ་སྤྱོད་དར་རྒྱས་གླིང་གཙུག་ལག་ཁང་དུ། ཕྱི་དྲོ་འཕགས་མ་བདེ་བྱེད་མའི་དཔྱིད་ཆོས་ཐེངས་བརྒྱད་པའི་རྩོད་དཔང་མཁན་པོ་རྣམ་པ་དབུ་བཞུགས་མཛད་དེ། བཙུན་མའི་བཤད་གྲྭ་ཁག་དབར་ལ་བསྡུས་རྟགས་བློ་གསུམ་ལ་ཉིན་ཤས་ཀྱི་རིང་ལུང་རིགས་བརྒལ་བརྟག་བགྱིས་པའི་
གྲུབ་དོན་སྐར་གྲངས་གཞིར་བཟུང་སྟེ། རྟགས་རིགས་རྟིང་འགྲན་གྱི་རྩོད་གཞུང་ཐག་གཅོད་གཏན་འབེབས་མཛད།

༄༅། ། བོད་རབ་རྒྱན་ཤིང་འབྲུག་བོད་ཟླ་ ༡ ཚེས་ ༡༦ དང་། སྤྱི་ལོ་༢༠༢༤ཟླ་ ༢ ཚེས་ ༢༥ ཉིན གཏེར་སྒར་རིག་འཛིན་མཁའ་སྤྱོད་དར་རྒྱས་གླིང་གཙུག་ལག་ཁང་དུ།
བློ་རིགས་རྟིང་འགྲན་གྱི་རྩོད་གཞུང་ཐག་གཅོད་གཏན་འབེབས་མཛད།

The debate competition between groups of nuns drawn from the different shedras which began on 29th January, the second day of the Arya Kshema Spring Gathering, has now entered the final stages when teams are eliminated.

The first groups to compete in the elimination stage were those studying Collected Topics (Dudra), followed by those studying Types of Evidence (Tagrig), and finally those studying Mind and Awareness (Lorig).

Khenpo David Karma Choephel announced the scores and results at each stage, with condolences for those who had failed to reach the finals.

The final for Collected Topics takes place on 26th February, for Types of Evidence on 27th February, and for Mind and Awareness on 28th February. Finally, on the 29th February there will be the special ‘all night’ debate. Traditionally this debate did last all night, but nowadays it ends before midnight.

2024.02.23 Debate Competition Enters Elimination Stage
Nuns Offer Five-Deity Green Tara and Tseringma

Nuns Offer Five-Deity Green Tara and Tseringma

Tergar Shrine Hall
17 – 18 February 2024

On the 17th February, the nuns and their teachers began two days of ritual in Tergar Shrine Hall.

In the morning session the nuns offered the Five-Deity Green Tara of the Acacia Forest sadhana, compiled by the 17th Gyalwang Karmapa to revive an ancient Karma Kamtsang ritual which originated with the first Karmapa, Dusum Khyenpa. The extensive practice was first performed at the Special Kagyu Monlam in February 2023.The nuns offered the shorter sadhana practice.
[For more details of this ritual cf http://new.kagyumonlam.org/index.php/en/component/content/article/five-deity-green-tara-of-the-acacia-forest?catid=9&Itemid=111]

The afternoon session was devoted to the practice of Tseringma.  At the 3rd Arya Kshema in January 2016, the Gyalwang Karmapa expressed the wish that the nuns should offer this ritual every year in future, so they have. The Five Tseringma  [in English the Five Long-Life Sisters] are protectors of all the Kagyu lineages. Tashi Tseringma is the principal deity of this group, who are also known as the Tashi Tsering Chenga.

Their special relationship with the Kagyu lineage dates back to the time of Milarepa. According to the tradition, the five sisters originally lived in the mountains on the Nepalese-Tibetan border. They were spirits tamed by Guru Padmasambhava who ordered them to protect the Buddhist teachings. They tried to distract Milarepa from his meditation in order to test him but failed. They then received teachings from him. As this forged their link with the Kagyu, they became protectors of the Kagyu teachings. Milarepa declared, “In the human realm, my teachings are held by the Teacher from Central Tibet (Gampopa). In the non-human realm, they are held by Tseringma.” The practice was considered very important and was one of the annual rituals at Tsurphu Monastery in Tibet.

2024.02.17 Nuns Offer Five-Deity Green Tara and Tseringma
The Significance of the Guru

The Significance of the Guru

Spring Teaching 2024 • Fifty Verses on the Guru • Day 3 •
16 February 2024

Before beginning Day Three of the teachings, His Holiness extended his Losar greetings to the monks and nuns, and the Tibetan community in general.

I hope that all of you in this New Year may be healthy, and that all of your activities go well, and that you encounter no difficulties or obstacles, and that all your own individual and common aims can be fulfilled.

He then began a detailed explanation of the text of the 50 Verses.

I prostrate to the Bhagavan Vajrasattva.

This is the translator’s homage, added by the translator, Rinchen Sangpo, it was not in the original text. When the Buddhadharma was first being translated into Tibetan, the translators, like the Indian authors, paid homage to whichever deity they had faith in.

Later the Tibetan kings, ministers, translators, and panditas discussed this issue. They decided that it was most appropriate if the homage were in accord with the topics of the sutras and tantras, and made a rule that at the beginning of all Vinaya texts, one must write “I prostrate to the Omniscient One”; at the beginning of Foundation vehicle sutras, “I prostrate to the Three Jewels” ; at the beginning of Abhidharma texts, “I prostrate to Manjushri”; and at the beginning of Secret Mantra texts, “I prostrate to the Lord of Secrets”. This method would identify the nature of the text immediately.

In discussing these homages, Geshe Potowa said that as the Vinaya is the sphere only of the omniscient Buddha, it was appropriate to pay homage to the Omniscient One. The Vinaya can only be understood by the Buddha. Only the Buddha can make the rules of the Vinaya. No one else, even bodhisattvas on the tenth level, can change the subtlest rules in the Vinaya. Likewise, as the conduct of the Mahayana secret mantra is accomplished in secret, not in the open, it was appropriate to pay homage to the Lord of Secrets, he said.

The aims of the secret mantra can only be accomplished if it's practiced in secret, then you accomplish the siddhis. If you don't practice in secret and in private, no matter who you are, if you publicize it to everyone, in particular, if you reveal secrets to people who are not appropriate vessels, then you won't achieve the siddhis.
It is a very strict system, he said.

Dromtönpa added, “When two people are entering a single mandala simultaneously, even if the teaching is about the same tantra or sadhana, they must be taught individually.”

Before Atisha came to Tibet, the Karmapa explained, there were many masters who were giving Vajrayana empowerments to all and sundry, announcing mudras proudly. For example, they would publicise the empowerment they were about to give and then teach the Guhyasamāja-tantra to hundreds of people. Dromtönpa was highly critical of their behaviour and called it a ‘grave mistake.’ The situation improved a little after Atisha. The Kadampa masters were very strict about Vajrayana practice and generally practiced the secret mantra in private. They were careful to conceal their Vajrayana practice, even to the extent of doing mudras underneath their zen at meal times.

Here “I prostrate to the Bhagavan Vajrasattva” seems to be a prostration to the teacher of the tantras, Vajradhara.
Regarding the use of the Sanskrit word Bhagavan [Eng. perfect conqueror], in the Indian tradition it’s a title given to a deity such as Indra or Brahma or Shiva. These are worldly gods, so, in order to make a distinction, the Tibetan translators used the word chom-den-de [བཅོམ་ལྡན་འདས]; the de adds the meaning ‘transcendent’, which is not in the Sanskrit.

The Introductory Points
According to Karma Khenchen Rinchen Dargye’s commentary there are three different parts.
1.   the meaning of the title.
2.  the prostration to the homage.
3.  the pledge to compose.
Today we're looking at the actual words of the text. I thought that maybe it would be good to explain the text according to Drogön Chögyal Pakpa’s summary. This is one of the earliest extant texts—the other is by Jetsun Drakpa Gyaltsen. There is also a later commentary by Je Tsongkhapa and others.

According to Drogön Chögyal Pakpa’s outline, the text has three main parts:
1. the introductory points connected to the composition.
2. points regarding the text.
3. the concluding summary.

The first part, the introductory points connected to the composition has two points, the homage and the pledge to compose. The homage is in Sanskrit.

I bow down as is proper at the lotus feet of the guru, Who is the cause of reaching the state of glorious Vajrasattva. Following them has been described in many stainless tantras; I shall explain it in brief. Listen respectfully to this. (v. 1)

In the Chinese translation, the lines are in a different order. The first and second lines of the stanza in the Tibetan translation are the third and fourth lines in the Chinese. To explain this in brief: there's a Sanskrit commentary on the 50 Verses, titled Pancikā: though we do not know who the author is, it was translated by Guru Lotsawa Shonnu Pal.  
The first line concerns whom we should pay homage to. It talks about the special deities in whom we have faith, and this is whom we are prostrating to. And if we do not prostrate to them, then we will not accomplish our aims. Before the author comes to the actual topic, he prostrates to the special deity. The prostration should be done at the lotus feet of the Guru, who is the cause of reaching the state of Glorious Vajradhara.
The second line teaches the purpose of the homage and the need for praise.
The third and the fourth line describe the topic of the text and the two reasons for the author to pay attention to the text: in order to be able to complete the composition of the text, and so that others may be able to engage with it.

In order to be able to complete the composition, before he began to compose the text, the author, Master Vāpiladatta, prostrates to his Guru. By doing this, the author of the text himself perfects the accumulation of merit. Because of perfecting the merit, he will turn away from unmeritorious activities and pacify all obstacles.
And it's not just for the author of the text. In the future, when we are teaching or listening to the text, if we prostrate to the guru at the beginning, as described in the words of the text, then we too will be able to gather the accumulation of merit. We will be able to pacify all internal and external obstacles. And we will be able to engage in the studies and complete it without any obstacles.

When we say completing the composition, it's not just for the author writing the text; it’s the same purpose for those listening and studying the text. This is the first purpose.
The second purpose is that because of the author of the text, Vāpiladatta,
paying homage to the Guru, we realize that the Guru is an extraordinary individual, a sacred, important being. Thus, individuals in the future will also understand that gurus are really significant. Whatever practice we engage in, whether it be the Mahayana or the foundation vehicle, the Guru is indispensable.
And so, in particular with the Mahayana, we need to know the characteristics of a Guru, what qualities they should have, and what they should not be like.
We should prostrate to exalted Gurus and know what an exalted Guru is to develop faith and conviction.

Then we begin to wonder, what is an extraordinary being? Jetsun Drakpa Gyaltsen explains it means someone who has realized the view. Now there are two different views—the correct worldly view and the correct supra-mundane view.
The correct worldly view is belief in karmic cause and effect, someone whom we should pay homage to knows what should be done and should not be done.
We should pay homage to people who practice karmic cause and effect properly,
If the Guru has conviction in karmic cause and effect, then we can achieve the result of reaching the state of glorious Vajrasattva.  There is a profound connection between the two.
The second quality the guru needs is the correct supra-mundane view, that is wisdom, the inseparability of emptiness and compassion. In this context, the one we are paying homage to is someone who has the correct worldly view in their mind-stream and who also has the correct view that transcends the worldly, the supra-mundane view: the wisdom of the inseparability of emptiness and compassion. The individual who has these two views is a superior individual, a distinctive individual, an extraordinary individual.
How do we know that the guru in this text has these qualities? We know because it is taught by Glorious Vajrasattva.
This teaches the purpose of paying homage.

།In summary, there is the homage and the pledge to compose. It encourages us to listen.

How should we listen? “Listen respectfully.” What should we listen to? What “I shall explain in brief.” Where was this taught? “In many stainless tantras.” Do you know anything about them? By “following them.” What preliminaries should be done before teaching? “Bowing down just as should be done.” To whom or what? “The lotus feet.” Whose lotus feet? “The lotus feet of the guru.” What is the necessity for bowing to them? it is because they are “the cause for reaching the state of glorious Vajrasattva.” Did you make up this explanation? The phrase “described in many stainless tantras” applies here, too. If they have been taught in the tantras, that should be enough, so why is it necessary for you to repeat those explanations? The phrase “explain in brief” refutes the argument that this is redundant.

Glossing the text
Having given a summary overview of the first verse, the Gyalwang Karmapa glossed the text in detail.

Glorious–according to the Pancikā [Sanskrit commentary translated into Tibetan by Lotsawa Shonnu Pal] the word glorious in “glorious” Vajrasattva means the accumulation of merit such as going for refuge and the accumulation of wisdom such as meditating on ultimate bodhichitta.  Alternatively, it can be described in terms of the transcendences, the three of generosity, discipline, and patience are the accumulation of merit; the five of prajñā, means, aspiration, wisdom, and power are the accumulation of wisdom. Transcendent diligence and transcendent dhyāna are included in both; they are understood as the accumulations of merit and wisdom. 
 
Vajra–the Pancikā says this is because their qualities are similar to the seven qualities of a vajra such as indestructibility. The Karmapa explained that a vajra was the extremely powerful weapon that the god Indra held in his hand. It was so terrifying that pregnant female demi-gods would give birth immediately upon seeing it. The word ‘vajra’ can also be translated as “diamond” which is both the most precious and hardest substance.

Sattva–the Pancikā says this is because they will not perish or deteriorate. They are the permanent vajra holder. The Tibetan term is ‘pawo’ or ‘hero’, and His Holiness added that they are called ‘hero’ because they are never discouraged.

Glorious Vajrasattva–according to the Pancikā it means the vajra being who possesses glory, which is the same as the great Vajradhara.

The cause of reaching the state of glorious Vajrasattva–the one who has this function is the Guru, and that, according to the Pancikā, is the reason we prostrate to them. But one also must listen carefully to the text in order to know how to serve the guru appropriately:

By hearing how you should follow a guru, you will know what should be done and what should not be done and perfect the accumulations. It is because of this that it is a cause of achieving our desired aims. Therefore, we listen to how to follow the guru for the sake of the unexcelled result, and strive with dedication, and the text that teaches this is the Fifty Verses on the Guru, as in the story of the abduction of Sita.

Gyalwang Karmapa elaborated: because of doing this we are able to gather the two accumulations perfectly and then achieve the state of glorious Vajrasattva. Achieving the state of glorious Vajrasattva is dependent upon following the Guru, and in order to follow the Guru properly we need to listen to this text.
He also commented on the reason the Indian commentary mentions the story of the abduction of Sita. The Kadampa forefathers also used this analogy. They pointed out that though the Ramayana exists in both a written form and also the one which storytellers recount, the actual Ramayana is neither—it’s the events themselves: the abduction of Prince Rama's wife Sita to Lanka [now Sri Lanka] by the evil king Ravana, and the great war that they engaged in to protect her. They used the analogy when commenting on the Lamp for the Path of Enlightenment.

Likewise, His Holiness explained, although there is a text called Fifty Verses on the Guru, the Fifty Verses on the Guru written in letters, read aloud, the general meaning that appears to the mind are not the actual Fifty Verses on the Guru. The actual Fifty Verses on the Guru should be understood as properly following an exalted guru in order to achieve the unexcelled result. The Karmapa emphasized the necessity of going beyond an intellectual understanding of a text to actually put it into practice. If we fail to put it into practice, we have failed to properly understand it. The Fifty Verses on the Guru are pith instructions that we need to follow in order to reach the unexcelled result.

I bow down to the lotus feet of the Guru–the Pancikā cites three reasons for using the term ‘guru’ This is connected to bowing down at the lotus feet of the guru. We say guru, because they give the profound and vast pith instructions of the dharma, because they are like a parent giving us benefit and happiness, and because they are worthy of offerings and service. The lotus is a metaphor for feet and you are prostrating to them.

Because they are both lotuses and feet, they are lotus feet. Bowing down means prostrating.

As is proper–the Pancikā explains that this means showing respect to the guru by following the rituals described in texts:

Because it does not transgress the steps of the ritual, it is “as is proper.” This means preceded by a mandala offering with great delight and a subdued expression. Here “lotus feet of the guru” indicates a praise, and “bowing down” teaches a prostration. These teach three types of offerings: the prostration is with the body, the praise with the speech, and as acts of body and speech are preceded by mind, the mind is implicitly taught.

At this point the Pancikā raises a doubt in the form of a question about prostrating to the guru:

“But the Buddha and so forth are our special deities, so we should pay homage or prostrate to them, should we not? How is the guru our exalted special deity?”

The answer to this doubt is:

Here the guru is the special deity, because they act in a superior way towards us or are especially kind. Alternatively, it is because they are the natural kāya of all buddhas, as it says:

Those who, having become their student, Intentionally deride such lords Have denigrated all the buddhas. (v.10)

The Karmapa commented that the guru does us an exceptional service by guiding us and shows great kindness. They are the same as all the buddhas and bodhisattvas in their kindness. The guru is like an emanation of the buddhas, they are someone who performs the activities of the buddhas, and their representative or ambassador.

All the buddhas and bodhisattvas only have one focus and that is to bring benefit to sentient beings. There are those they have a karmic connection with, and those that they don’t. There are as many different inclinations and capabilities as there are students, so for some it is appropriate to be tamed by a buddha, for others by a bodhisattva. The guru accomplishes the activity of the buddhas and bodhisattvas. Not only that, not all sentient beings can meet a buddha or bodhisattva in person and receive teachings from them, but they can meet gurus and receive Dharma teachings from them. They forge a dharma connection with us and engender our longing for the Dharma and for liberation.

Hence, the guru is a representative of the buddhas and bodhisattvas and performs their activities, we prostrate to the guru.

The Gyalwang Karmapa explained that he would stop the teaching at that point as he was still not fully recovered from his recent illness and he was concerned to teach such an important topic, connected as it is with the Vajrayana, as correctly as possible. He observed that it seems the more significant, the more sacred the Dharma, then the more obstacles that occur.

It was essential for everyone to understand the significance and great importance of the guru-student relationship.
 

Ritual Offering to the Tsurphu Protector Sangharāma

Ritual Offering to the Tsurphu Protector Sangharāma

Tergar Shrine Hall
11 February 2024

At 4.00pm on the second day of Losar, a group of thirty nuns from Palmo Drubdey Chӧkyi Dingkhang, Khenpo Tsultrim Gyamtso’s nunnery in Bhutan, gathered on the veranda outside Tergar Shrine Hall to sing the ritual for the protector Sangharāma. The Secretary of Tsurphu Labrang Office, Karma Gyaltsen Sonam, also took part, while other representatives from Tsurphu Labrang watched.

The 17th Gyalwang Karmapa has worked steadily to preserve and revive Karma Kamtsang rituals. This was one of the Losar practices at Tsurphu Monastery, the seat of the Karmapas in Tibet. However, when the 16th Karmapa, Rangjung Rigpe Dorje, escaped from Tibet in 1959, the original text of this ritual was lost and the continuity of the practice was broken. The 17th Karmapa compiled a new ritual to replace the one that had been lost. His Holiness also composed all the melodies for the ritual as well as the accompaniment with cymbals, bells and drum.

An elaborate form of this ritual, in Tibetan and Chinese, was performed at the. Kagyu Monlam in March 2017.  [https://kagyumonlam.org/index.php/en/component/content/article/the-sangharama-ritual?catid=20&highlight=WyJzYW5naGFyYW1hIl0=&Itemid=111]

Sangharāma was originally a famous Chinese general called Guan Yu or Guan Gong. He had admirable qualities such as courage and integrity, but as a general he caused much death and suffering. Consequently, when he died, he became a ghost, haunting Jade Spring Mountain, near modern-day Beijing. However, after he had been converted to Buddhism, he changed into a dharma protector, and was given the new name Sangharāma.

The connection between Sangharāma and the Karmapas began when the emperor Yung Lo of the Ming Dynasty, wanting to learn more about the Buddhadharma, invited the Fifth Karmapa Deshin Shekpa to China. Sangharāma also heard the Karmapa’s teachings and witnessed various miracles; he was so impressed that he followed Deshin Shekpa back to Tsurphu in Tibet. Once there, he was given a new home on a mountain behind Tsurphu Monastery. This mountain became known as “the mountain of the Chinese deity,” and Sangharāma became one of the protectors of Tsurphu Monastery. Sometime later, the Karmapas began the tradition of offering a practice for the Sangharāma protector during the Losar festival.

As Sangharāma is a mundane protector, the ritual cannot be performed in a sacred space so it is performed outside. This was the custom at Tsurphu Monastery, and it continues now at Tergar, where the ritual took place on the veranda in front of the shrine hall. A statue of Sangharama stood on an altar stationed at the main entrance to the shrine hall and the nuns stood to either side, dressed in full ceremonial costume: yellow prayer shawls; white leather and brocade boots; vests with a brocade inlay; and chabshu—the rectangular, brocade pouches which dangle from the waist and are a traditional part of ceremonial dress.In perfect harmony they sang the melodies of the ritual to the steady beat of the Chinese drum, punctuated by the clash of cymbals, and the ringing of a handbell.

In the final section of the puja, multiple Chinese firecrackers exploded abruptly, startling many of the on-lookers. This was for auspiciousness!

2024.02.11 Ritual Offering to the Tsurphu Protector Sangharāma